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The mutes make noiseThe mutes - Spontaneous Music

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Roy Erzinger - Guitar, Keys, Drums, Warbling, Electronics

I. P. Thurnwald - Sax, Vocals, Percussion, Tarot Readings

Johnny Camus - Bass, Keys, Words, Self immolation

Guest Performers - Any of the above

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The mutes

The Mutes often performed at infamousTivoli Hotel. Photo credit: Chris Loft.

A rare photo of The mutes performing at the Tivoli Hotel. The mutes often chose to perform anonymously from behind the stage settings, much to the bemusement of the audience.

Click here to listen 'Parenthesis' - 'Wasp' - 'Requiem on Steinway'

'We have nothing to say!' The story of the Mutes by Roy Erzinger

In 1978, while based in Adelaide and still playing drums with 'Irving and The U-Bombs', I formed a small ensemble that played and recorded spontaneous music, mixing real and improvised musical instruments with experimental sound mixing techniques. I was sharing a house with Johnny C. and I. P. Thurnwald at that time and as well as performing with the Mutes, they provided a sound intellectual base at the group meetings, which generally consisted of a home cooked meal, the consumption of a few flagons of cheap Australian wine and hours of talking.

I decided to use the name 'The mutes' because as a collective, we had nothing to say and really didn't want to take ourselves to seriously. It was about the actual experience of producing new music, having a bit of fun and sharing a pizza afterwards. I was also very keen on the idea, in terms of playing music and making sound, of letting the participants play whatever they wished without using manuscript or charts or indeed having to conform to a particular music style.

The performers would work from a list of suggestions that outlined a theme or 'flavor' for each piece, for example, Song 1. 'There's a fire! There's a fire!' In A7 or B minor. Any tempo. 10 minutes. Song 2. Green or 'Slow breathing in Any Key' etc. The musicians were then left to interpret these words as they saw fit. The resulting sound was quite indescribable if not sometimes laughable but always interesting to listen to. Moreover, a large group of performers, who may or may not be musicians, could produce incredibly rich textures of modulating sounds, often playing non stop for an hour or more with an apparent meditative effect on the performers and the audience. A similar approach was also adopted for the recorded sessions, with overdubs and re-takes kept to a minimum in order to preserve an element of spontaneity in the performances. Other incantations of the ensemble produced music with overlaying recitals of work by local writers and poets, commentaries on the latest in Theoretical Calculus or randomly selected text from bookstore detective novels!

Click here to listen 'Syrinx part 2' - 'Eat my Flamingoes'

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To my pleasant surprise, I discovered that the performances of 'The mutes' where generally well attended and warmly received by people willing to be a part of the experience. The live shows of 'The mutes' also marked the start of the collective performances in Adelaide of new and experimental music by musicians from different Adelaide bands including Systems Go, The Lounge, Desperate Measures, The Ubombs, Snakes and Adders, to name a few, and was similar to the 'little bands' phenomenon happening in Melbourne around the same time. The Mutes also performed as support for artists such as Nick Cave and The Birthday Party Hunters and Collectors and English poet John Cooper Clark at the infamous Tivoli Hotel in Adelaide.

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Commendations and many thanks must go to the participants and friends who contributed to The mutes performances, and who showed considerable courage in agreeing to perform in front of an audience without knowing what was going to happen!

Belated as it is, I must acknowledge the generous and enthusiastic support of David Blakeney, a dear friend and comrade who passed away a few years ago. David was a founding member of the South Australian Public Music Broadcasting Association, a dedicated community worker and a innovative promoter who worked with bands like Midnight Oil and INXS, and who still had the time to help local musicians. There are many musicians around today who knowingly or not, owe David a small debt of gratitude for his pioneering work and dedication to public broadcasting and New Australian music. Thank you mate.